Wednesday, February 22, 2012

TINA TURNER REVIEW



 

TWENTY FOUR SEVEN, TINA TURNER (VIRGIN):

One of the few constants of the universe: Tina Turner will always be fabulous.

This release, however, is somewhat less than fabulous. 

It’s not a terrible album, mind you. It’s just not worthy of a performer of Turner’s caliber. 

Though the term “diva” is thrown around these days so as to become almost meaningless, Turner is a true diva of both style and substance.

 Unfortunately, much of the material here is a like a diva’s couture gown made to a stranger’s measurements; it doesn’t quite fit. 

Oh, there are some decent tracks with catchy melodies and kicky hooks, but it all feels a bit contrived. 
And this gritty and gorgeous goddess capable of music that gets in your bones is deserving of so much more than surface-sexy pop sheen. 

Still, as one would expect, Turner works the material like nobody’s business. 

The anthemic When The Heartache Is Over with its sweeping feel and thumping beat is an attention-getter. 

The heavily layered, lushly produced Whatever You Need is pleasant enough ear candy. Better still is the slow, soulful Falling and the orchestral Don’t Leave Me This Way.     

--Heidi Johnson-Wright

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