PLEASE LET GIMPS IN THE DOOR
by heidi johnson-wright
As a wheelchair-using gimp girl, I sometimes hear folks say
the reason a place is not accessible is because it’s historic. Statements like
“It’s one of those older buildings constructed under standards in force years
ago.”
What they mean is it was built back when gimps were safely
tucked away in institutions or kept hidden in the back bedrooms of family
homes. You know, like the simpler, gentler era depicted in Norman Rockwell’s
art: a time when families sat down together every night at the dinner table and
the worst trouble little boys got into was dipping girls’ pigtails in inkwells.
Page through Rockwell’s illustrations in a book or online and you’ll be
hard-pressed to find gimps included in his rosy vision of an America that never
was and never will be.
Perhaps you’ve heard someone say that a building doesn’t
have to be accessible because it’s been “grandfathered.” When I hear that word,
at first I picture a kind, gentle older man who loves to go fishing and hands
out candy to his grandkids.
But then I remember it doesn’t mean that at all. It’s really
an excuse to avoid letting gimps in the door. And a pitiful excuse, at that.
The ADA is a civil rights law, not a building code. You can’t deny folks their
civil rights simply because you’ve been denying their rights for so long, it’s
magically okay to keep denying them. To follow that twisted logic would mean
allowing racially segregated lunch counters to remain segregated because that’s
how it’s always been.
Creating access in older buildings is often a matter of a
couple factors. Are the decision makers in charge truly committed to creating
an inclusive community and are the architects and engineers up to the task?
Take for example, the Uffizi Gallery in Florence, Italy. It’s
one of the most celebrated art collections in the world. It includes
masterpieces by da Vinci, Michelangelo and Botticelli that will make you drunk
with joy. And it’s really, really old. It was completed in 1581 for Cosimo I de' Medici, who
was not exactly known for being a proponent of disability rights. And yet, the
Uffizi is exquisitely accessible to wheelchair users, and proud of its touch
tours for people with visual impairments. The elevators and ramps are not big,
ugly and awkward. They fit seamlessly into the structure, never taking away
from the beauty all around.
How can this be? Shouldn’t they have told gimps, “Sorry,
you’ll never see Botticelli’s Primavera because, like, the Uffizi is just too
old. And, oh yeah, it’s grandfathered.”
Am I ever glad they didn’t. I’ll take Botticelli over Normal
Rockwell any day.
http://earthboundtomboy.blogspot.com/2015/07/dear-grandfather-please-let-gimps-in.html
