Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

Saturday, August 9, 2025

PROUD TO HAVE PLAYED A ROLE IN MAKING

LITTLE HAVANA’S CALLE OCHO

THE CROWN JEWEL OF AUTHENTIC MIAMI


It was an honor to work as the senior urban policy advisor for Miami District 3 City Commissioner Joe Sanchez.


Two decades ago, Calle Ocho was sleepy.



We worked to strengthen arts and culture.


Now millions visit annually.


Good Morning America broadcast from the Ball & Chain World Famous Bar and Lounge on Calle Ocho in the heart of Miami's Little Havana this week.


I was there to meet GMA Weather Anchor Sam Champion and to see the success story that has made the Ball & Chain Miami’s best location for live music, crafted drinks and elevated bar food.



https://www.goodmorningamerica.com/video/124408344





Saturday, July 26, 2025

VENTANITAS -- STORIES ABOUT AND FROM LITTLE HAVANA

I WILL BE FEATURED IN THIS DOCUMENTARY PREMIERING THIS FALL


I can't wait for the fall premiere of Ventanitas -- Stories About and from Little by award-winning Miami documentarian Joe Cardona. 

I will appear on camara as a 20+ year LH resident, storyteller, activist & aplatanado.

Ventanitas are the windows where you buy Cuban coffee. 

But they are much more than a place to sip cafe Cubano con mucho azucar. 

There used to be dozens of ventanitas on Calle Ocho -- but the commercial success of a main street with upwards of four million visitors has reduced their numbers.

I’ve admired Joe’s work for years and it was a pleasure to show off my 100-year-old Shenandoah home (purchased from Santeros) and walk around my adopted hometown for half a day.

I told my stories from the heart.

Hopefully, I will come off as a protagonist when the film debuts in Little Havana.

Joe Cardona was honored with a National Emmy for his 2014 historic documentary “The day it snowed in Miami”, a film that he wrote, produced and directed for PBS national network.

He has made dozens of films covering culture, politics and the essence of 21st century Miami.



Tuesday, July 1, 2025

APARTHOTEL ADAGIO BORDEAUX CENTRE GAMBETTA

MODERN BUILDING WITH GALLEY KITCHEN FOOTSTEPS FROM TRANSIT


Pound for pound, Bordeaux boasts some of the best gastronomy and wine in all of France...or the world for that matter.

Code 23, a fabulous bar with live music and a cozy vibe, is less than 15 minutes walk from the property.

Le Petit Commerce, one of the greatest, most unpretentious seafood houses in all of the region, is 15 minutes walk away from Aparthotel Adagio Bordeaux Centre Gambetta.

Boulangerie Jocteur, an outstanding bakery, is a brisk 5 minute walk from the hotel.

Chartrons and its great homes and bistros are 15 minutes by tram.

Cite du Vin is less than 25 minutes by tram.

Bassins des Lumières, in a WWII submarine bunker also to the north of town, is less than 45 minutes by public transit.

Monday, June 30, 2025

APARTHOTEL ADAGIO BORDEAUX CENTRE GAMBETTA

MODERN BUILDING WITH GALLEY KITCHEN FOOTSTEPS FROM TRANSIT


Aparthotel Adagio Bordeaux Centre Gambetta Front desk staff was excellent about giving tips on shopping/dining.

It also complied with my standard request to get the room farthest from the elevator and to have an extra flat sheet in the room.

I certainly used the coffee maker, as well as the fridge to store leftover gourmet food -- and the stove and microwave to reheat said food.

St. Catherine Street -- billed as the longest pedestrian shopping street in all of Europe, is footsteps away.

Garonne River, muddy but the spine of the city for centuries, is 10-12 minutes walk away, as is the famous Place de la Bourse with its giant reflecting pond and wondrous architecture. Bordeaux is a great city.

Saturday, December 6, 2014

A TRIBUTE TO STELLA YOUNG

 Disability Activist
earthBOUNDtomBOY

by HEIDI JOHNSON-wright


She was slight of stature and made her way through life on wheels, but she was a force to be reckoned with.



Stella Young was a feminist, disability activist, comedian, writer, atheist, Aussie and avowed knitter. She embraced the term “crip,” turning it back on the establishment. She refused to play the role that society tried to impose on her: the cute, demure, little girl in a wheelchair.



Young once wrote: "I am not a snowflake. I am not a sweet, infantilizing symbol of fragility and life. I am a strong, fierce, flawed adult woman. I plan to remain that way, in life and in death."



Sadly, her death came all too soon. She recently passed away, suddenly and unexpectedly, at age 32.



Young lived with the challenges of osteogenesis imperfecta, a condition that affected her connective tissue and made her bones vulnerable to fractures. But that was hardly the thing that defined her.



She didn’t shy away from and the truths she knew needed to be told.



Young often spoke out against "the soft bigotry of low expectations" people with disabilities encounter.



"It speaks to this kind of assumption that people with disabilities are 'brave' because our lives are horrible and that's not true at all," said Young.



In a TED talk, Young referred to the trite phrases -- such as "your excuse is invalid" and "don't quit, try" – that accompany photos of disabled people online. She found them annoying, labeling them “inspiration porn.”



"The purpose of these images is to inspire you, to motivate you, so that we can look at them and think, 'Well, however bad my life is, it could be worse. I could be that person.'"


In her TED talk, Young expressed disgust for the bromide, "The only disability in life is a bad attitude:"



"No amount of smiling at a flight of stairs has ever made it turn into a ramp. No amount of standing in the middle of a bookshelf and radiating a positive attitude is going to turn all those books into Braille."



But Young didn’t lambaste only greeting card-worthy clichés. In an open letter that she wrote to her future 80-year old self, she spoke of her struggle with disability identity and self-acceptance. 



“Remember those days back before you came out as a disabled woman? You used to spend a lot of energy on 'passing'. Pretending you were just like everyone else, that you didn't need any 'special treatment', that your life experience didn't mean anything in particular. It certainly didn't make you different from other people. Difference, as you knew it then, was a terrible thing. I used to think of myself in terms of who I'd be if I didn't have this pesky old disability.”



Thank you, Stella, for reaching out to disabled people struggling with the shame we’ve internalized from society’s devaluation of us. Thanks for your fearless advocacy. For not pulling punches with your words.



Stella is the Latin word for “star.” Although Stella Young has died, her ideas will burn brightly for eternity.  
http://earthboundtomboy.blogspot.com/2014/12/a-tribute-to-stella-young.html 


Role model

Friday, December 5, 2014

ART AND DISABILITY IDENTITY, OR CRUSHING DUNG BEETLES BENEATH MY ORTHOPEDIC SHOE


EARTH BOUND TOM BOY

heidi johnson-wright

Art Basel Miami 2014 is this week and naturally, art is on my mind. All year, I look forward to not only the main Basel show, but also the scores of satellite shows and gallery exhibits that have grown incredibly over the last dozen years. I always attend as many as my wallet and stamina allow.

 

Contemporary artworks most likely to draw me in address issues of identity: identity of an individual or a group or a nation. Art produced in Miami or by artists from the Magic City often deals with the identity of immigrants and refugees. At Basel, female identity or identity along the lines of sexual orientation are frequent themes.

But no matter where I go to view art – Miami, New York, Mexico City, London, Madrid and beyond – I find a dearth of works about disability identity. It’s not that it doesn’t exist. It simply isn’t anywhere near 20 percent of identity-themed art, 20 being the oft-cited percentage of people with disabilities in society.

 

It makes me a bit melancholy. It feels like one more confirmation of our lack of presence, of our lack of a voice. One more directive by society to either act/look/pass as non-disabled, or else go off to live in some mythical, isolated disability underworld.

 

Though I’m a writer rather than an artist, it seems like identity would be such a rich vein to mine for artists with disabilities. Just taking the stereotypes and roles that have been foisted on us and turning those back on themselves would make for provocative, edgy stuff indeed.

 

Want to disempower me with the label “wheelchair bound?” I’ll photograph myself in bondage gear, my ankles bound to this wheeled device that brings me power and freedom.

 

See me as a sorry little creature put on this Earth to make you feel better about your own troubles? I’ll paint you as dung beetle that I crush beneath my orthopedic shoe.

 

Think I sit at my window all day, looking at the world I cannot join and mourning my brokenness? I’ll make a movie that shows disability as the dominant culture, where so-called “normal” people hurl themselves down staircases in order to be accepted. 
 
http://earthboundtomboy.blogspot.com/2014/12/art-and-disability-identity-or-crushing.html

Wednesday, December 19, 2012

THE ST. REGIS MEXICO CITY – PART 14


SIMPLY THE BEST HOTEL

All we want for Christmas – this year and every year – is a barrier-free room and second-to-none staff at the Mexico City St. Regis.

The St. Regis Mexico City
439 Paseo de la Reforma
Colonia Cuauhtemoc

Phone: (52)(55) 5228 1818


http://www.starwoodhotels.com/stregis/property/overview/index.html?propertyID=1735&language=en_en&PS=GWS_aa_Starwood_StRegis_1735MexicoCity_English_Google_St_regis_Mexico_City_052009

Tuesday, December 18, 2012

THE ST. REGIS MEXICO CITY – PART 13

SIMPLY THE BEST HOTEL

But the property’s service more than made up for that small blemish on an otherwise perfect sleek, big city hotel experience.

We even were able to send dozens of emails in advance of our arrival to check on wheelchair-access in the room and common areas of the high-rise property.

Staff even went so far as to take photographs of bathrooms and door widths, so we could gauge accessibility before booking.

After we booked, more polite and precise emails helped us plan for our arrival – so no time was wasted and every moment was spent enjoying the world class cuisine, art, public spaces, architecture, history and more in the vastly underrated Mexico City.

Review of the unparalleled St. Regis Mexico City Hotel continues tomorrow December 19.


Monday, December 17, 2012

THE ST. REGIS MEXICO CITY – PART 12


SIMPLY THE BEST HOTEL

The St. Regis manager and front desk staff offered invaluable information about the easiest way to wheelchair-accessible entry points for the popular and crowded National Palace, Templo Mayor and Anthropology Museum. 

The Mexico City St. Regis has a large, amply accessible ramp to its sleek and equally accessible ground floor.

High speed elevators transported us to the lobby-bar-restaurant-terrace level and a large bank of fast elevators moved us to our guestroom with barely a wait.

About the only flaw in the entire property is the pool - spa area, which is not totally wheelchair-accessible.

Review of the unparalleled St. Regis Mexico City Hotel continues tomorrow December 18.