Saturday, February 25, 2012

AIR PREMIERS SYMPTOMES REVIEW BY HEIDI JOHNSON-WRIGHT



 PREMIERS SYMPTOMES, AIR (ASTRALWERKS):

 My friend, Bill, is the staunchest Francophile I know. 

He becomes ecstatic just planning a trip to France where he is likely to stay several weeks at a time living amongst the locals. 

He speaks French fluently, expertly doing that “r” pronunciation thing that sounds like a cat coughing up a hairball. 

Bill is also a serious film buff and given the opportunity, will rhapsodize charmingly about Some Like It Hot, sounding not unlike a tent preacher describing the coming of the Rapture.

Which somehow get us to the newest release by the French band, Air. 

The seven more-or-less instrumental cuts on this disc are from the group’s formative years before they achieved notoriety with their 1998 release, Moon Safari

For those (Bill and me included) who aren’t overly familiar with the band’s work, imagine a mixture of the Art of Noise, Brian Eno, Stereolab, Miles Davis’ Bitches Brew and music from the late ‘60s-early ‘70s TV show, That Girl

Such a hodgepodge wouldn’t really sound like Premiers Symptomes, but that’s the closest description possible of these virtually indistinguishable “songs” comprised of electronic sounds, echoing tones and repetitive horn and keyboard riffs. 

Quite honestly (and I think Bill would agree), this album barely rises to the level of mediocre soundtrack music.

Simply put, Air could be mistaken for breaking wind.

--Heidi Johnson-Wright

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